The Worst ‘Wheel of Fortune’ Player Ever






We realize there’s only so much time one can spend in a day watching new trailers, viral video clips, and shaky cell phone footage of people arguing on live television. This is why every day The Atlantic Wire highlights the videos that truly earn your five minutes (or less) of attention. Today:  


RELATED: Movie and Television Characters Need a Lesson in Talking Trash






If we’re ever on Wheel of Fortune we would hope that we were on with the worst players. In part, because deep down, we know we’d be pretty bad at it—all that pressure, all that Sajak, and Vanna staring at you with her vacant eyes… it’s just too much, really. But even we know Johnny Cash never made a song called “I Have the Wine.” 


RELATED: Proof Ceiling Cat Exists; 295 Movies Bring You ‘Baby Got Back’


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Movies? We can explain:


RELATED: The Robot That Performs Gangnam Style Better Than You


RELATED: Catching Kangaroos Seems Pretty Easy; ‘The Dark Knight’ Goes Pee-wee


Oh, broadcast journalists, you may never know the pain of an embarrassing typo, but we don’t envy you. Not even one bit:


And, finally, this video makes us think of the time we were first introduced to after-work drinks. Which is where we will now be going. Enjoy!


Wireless News Headlines – Yahoo! News





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Obama won't support building 'Death Star'


WASHINGTON (AP) — A "Death Star" won't be a part of the U.S. military's arsenal any time soon.


More than 34,000 people have signed an online petition calling on the Obama administration to build the "Star Wars" inspired super-weapon to spur job growth and bolster national defense.


But in a posting Friday on the White House website, Paul Shawcross, an administration adviser on science and space, says a Death Star would cost too much to build — an estimated $850 quadrillion — at a time the White House is working to reduce the federal budget.


Besides, Shawcross says, the Obama administration "does not support blowing up planets."


The U.S., Shawcross points out, is already involved in several out-of-this-world projects, including the International Space Station, which is currently orbiting Earth with a half-dozen astronauts.


___


Online:


White House response to petition: http://tinyurl.com/asd565g


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Former Lab Technician Denies Faulty DNA Work in Rape Cases





A former New York City laboratory technician whose work on rape cases is now being scrutinized for serious mistakes said on Friday that she had been unaware there were problems in her work and, disputing an earlier report, denied she had resigned under pressure.




The former lab technician, Serrita Mitchell, said any problems must have been someone else’s.


“My work?” Ms. Mitchell said. “No, no, no, not my work.”


Earlier, the city medical examiner’s office, where Ms. Mitchell said she was employed from 2000 to 2011, said it was reviewing 843 rape cases handled by a lab technician who might have missed critical evidence.


So far, it has finished looking over about half the cases, and found 26 in which the technician had missed biological evidence and 19 in which evidence was commingled with evidence from other cases. In seven cases where evidence was missed, the medical examiner’s office was able to extract a DNA profile, raising the possibility that detectives could have caught some suspects sooner.


The office declined to identify the technician. Documents said she quit in November 2011 after the office moved to fire her, once supervisors had begun to discover deficiencies in her work. A city official who declined to be identified said Ms. Mitchell was the technician.


However, Ms. Mitchell, reached at her home in the Bronx on Friday, said she had never been told there were problems. “It couldn’t be me because your work gets checked,” she said. “You have supervisors.”


She also said that she had resigned because of a rotator cuff injury that impeded her movement. “I loved the job so much that I stayed a little longer,” she said, explaining that she had not expected to stay with the medical examiner’s office so long. “Then it was time to leave.”


Also on Friday, the Legal Aid Society, which provides criminal defense lawyers for most of the city’s poor defendants, said it was demanding that the city turn over information about the cases under review.


If needed, Legal Aid will sue the city to gain access to identifying information about the cases, its chief lawyer, Steven Banks, said, noting that New York was one of only 14 states that did not require routine disclosure of criminal evidence before trial.


Disclosure of the faulty examination of the evidence is prompting questions about outside review of the medical examiner’s office. The City Council on Friday announced plans for an emergency oversight committee, and its members spoke with outrage about the likelihood that missed semen stains and “false negatives” might have enabled rapists to go unpunished.


“The mishandling of rape cases is making double victims of women who have already suffered an indescribably horrific event,” said Christine C. Quinn, the Council speaker.


A few more details emerged Friday about a 2001 case involving the rape of a minor in Brooklyn, in which the technician missed biological evidence, the review found. The victim accused an 18-year-old acquaintance of forcing himself on her, and he was questioned by the police but not charged, according to a law enforcement official.


Unrelated to the rape, he pleaded guilty in 2005 to third-degree robbery and served two years in prison. The DNA sample he gave in the robbery case was matched with the one belatedly developed from evidence the technician had overlooked in the 2001 rape, law enforcement officials said. He was recently indicted in the 2001 rape.


Especially alarming to defense lawyers was the possibility that DNA samples were cross-contaminated and led to false convictions, or could do so in the future.


“Up to this point,” Mr. Banks said, “they have not made information available to us, as the primary defender in New York City, to determine whether there’s an injustice that’s been done in past cases, pending cases, or allowing us to be on the lookout in future cases.” He added, “If it could happen with one analyst, how does anyone know that it stops there?”


The medical examiner’s office has said that the risk of cross-contamination was extremely low and that it does not appear that anyone was wrongly convicted in the cases that have been reviewed so far. And officials in at least two of the city’s district attorneys’ offices — for Brooklyn and Manhattan — said they had not found any erroneous convictions.


But Mr. Banks said the authorities needed to do more, and that their statements thus far were the equivalent of “trust us.”


“Given what’s happened,” he said, “that’s cold comfort.”


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Ruby's Diner chief Doug Cavanaugh's ingredients for success









The gig: As founder and chief executive of Ruby Restaurant Group, Doug Cavanaugh oversees a chain of 37 Ruby's Diner restaurants in six states, including eateries at five airports. His first Ruby's Diner, which opened in 1982, was a renovated bait shop on Balboa Pier in Newport Beach that had been slated for demolition. The Irvine company celebrated its 30-year anniversary in December.

Hometown boy: Cavanaugh, 56, was born and raised in Los Angeles, where he lived until he was 12, before moving to Tustin, where his mother still lives in his childhood home. He has fond memories of Los Angeles. He often biked past the oil fields near Baldwin Hills and watched cars race at the Ascot Park speedway in Gardena. "I grew up in L.A. in the golden age," he says. "When the streetlights came on, it was time to come home."

The summer they moved to Orange County, Cavanaugh's family stayed in a motel near Disneyland while their house was being built. Cavanaugh spent nearly every day at Disneyland that summer, and says the theme park's rigorous attention to detail and focus on providing a unique experience left an impression. "I got my MBA in Disney at the age of 12," he jokes. "I've really tried to bring those principles to Ruby's."





An enterprising tradition: What he didn't glean from "The happiest place on Earth," Cavanaugh says he learned from his father, who ran a real estate and construction business. "My dad was a classic entrepreneur, a hardworking guy," he says. Cavanaugh would drive with his father to construction sites or sit beside him at meetings. His first job, at the age of 8, was sterilizing copper pipes for the construction crews, for which he was paid 50 cents an hour, as he remembers it. "And I was happy to get it."

In high school, he formed a business of his own, scrubbing down boats with a school buddy at Newport Harbor — though, he admits, it was really to meet girls. When he graduated with a marketing degree from USC in 1979, Cavanaugh was looking for his next big venture.

The real estate pages: It came to him on Mother's Day of 1980, as he and some of his friends were flipping through The Times as they sat in a hot tub. There in the real estate pages was an advertisement for nine acres of oceanfront property on Nantucket Island, complete with cottages, a restaurant and a pool. They flew out east to investigate, and within months Cavanaugh had opened his first restaurant, the Summer House, with his partners. "It was really intoxicating because it clicked very quickly," Cavanaugh says.

He received a crash course in the restaurant business from a partner, his ex-girlfriend's mother. He developed recipes, culled ingredients and tended bar. Soon, patrons were flying private jets in from New York City just for dinner. "It was instant gratification.... You knew exactly how well you did that day," says Cavanaugh, and he instantly fell in love with the restaurant business.

But the West Coast, his family and a certain dilapidated bait shop at the end of a pier were beckoning.

A jog that changed it all: He saw the building one day jogging on the beach near the Balboa Pier. It stood abandoned with a huge redwood tub in the center that once held bait. "It was in terrible shape; it was about ready to fall down," Cavanaugh says.

The bait shop was constructed in 1940 in the "streamline modern" style, something Cavanaugh says screamed "diner." When he approached the city originally, officials dismissed him as young and inexperienced. In 1982, he sold his stake in the Nantucket restaurant and returned. "I didn't make a dime. But I got my education," Cavanaugh says. "I now viewed myself as this worldly restaurateur of 26."

Cavanaugh and his new partner, junior high buddy Ralph Kosmides, pleaded with the city to let them restore the building, which leaders had planned to tear down. This time, the city relented. Cavanaugh and Kosmides embarked on a "stick-by-stick" restoration of the place, doing much of the work themselves. They pored over literature about '40s diners and scoured antique shops for vintage Coca-Cola signs, cigarette machines and red vinyl booths until the 45-seat diner was just right. Customers often mistakenly think the restaurant has been around since the 1940s.

The namesake: Cavanaugh planned to name the diner after his mother, but first he had to ask her permission. "It was what good sons do," Cavanaugh says. But Ruby, who'd always thought her name was too old-fashioned, said no. "I ignored her and did it anyway," says Cavanaugh, and on opening day that December, he walked his mother down the long pier and unveiled the glowing sign. "There she saw her name in neon," he says. Ruby playfully swatted his arm.

"She's just the perfect mascot because she represents that era very well," Cavanaugh says of his mother, who grew up in Missouri and moved to Los Angeles as a teenager in the 1940s. Her likeness, adapted from a photo of her as a cheerleader at L.A.'s Fremont High School, adorns every menu. Today, Cavanaugh says, his mother, now 90, enjoys being a celebrity. Young patrons often ask for her autograph when she dines at her namesake restaurant.

'Ruby magic': On opening day, the restaurant pulled in a grand total of $65. By the second year, revenue topped $1 million, and Cavanaugh began focusing on expanding to other pier-front locations. By 1990, the company's seven locations brought in a reported $8 million and employed 650 workers in the busy season. The chain, which began franchising in 1989, grew rapidly, adding 27 restaurants in the 1990s.

Throughout, Cavanaugh says, the restaurants have focused on maintaining quality and adapting to changing tastes. The waitresses still wear red candy-striped dresses and the clam chowder is made with real cream, but the menu also boasts chicken tacos and healthful options. The chain recruits and trains staff centrally and extols the values of "Ruby magic," and periodically inspects locations for quality and service standards. During a recent visit to the original Balboa Pier location, Cavanaugh noticed a handwritten "Take Out" sign in the to-go window. Employees were instructed to take it down so that a properly printed sign could be hung.

What's next: Ruby's Diner has managed to weather the recession despite "flat" sales, a fact that Cavanaugh says amazes him. Cavanaugh credits the chain's ability to capture customers who are wary of the expense of sit-down dining but want a step up from fast food. But Cavanaugh sees "fast-casual" as the next wave of growth for the restaurant chain, as the company explores adding locations in smaller footprints like food courts and airports, which Cavanaugh considers "brand builders."

Cavanaugh says his business has always had "fits and starts" — the Seal Beach location closed Jan. 7 over a lease dispute after 25 years on the pier. But as the company enters its 31st year, Cavanaugh says he's ready. "I'm always looking for the next restaurant, always trying to find the next opportunity."

christine.maiduc@latimes.com





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Academy doesn't follow the script in directors' race









Ben Affleck and Kathryn Bigelow were behind two of the most acclaimed movies of 2012, the fact-based pictures "Argo" and "Zero Dark Thirty." The smart money in Hollywood had both vying for directing honors at next month's Academy Awards.


Yet when the Oscar nominations were announced Thursday, Affleck and Bigelow were passed over. Instead, two of the five slots went to longshot Hollywood outsiders: a 30-year-old New Orleans artist making his feature debut and an Austrian auteur who has worked almost exclusively outside the English language.


The nominations for Benh Zeitlin and Michael Haneke — whose Louisiana coming-of-age-story "Beasts of the Southern Wild" and French-language old-age drama "Amour," respectively, have grossed only a combined $12 million in the U.S. — had much of Hollywood baffled and buzzing, and trying to come up with an explanation.





PHOTOS: Top Oscar nominees


"I have no theory for it," said Amy Pascal, co-chair of Sony Pictures, which released "Zero Dark Thirty." "I don't understand it — everybody is like, 'What?' She [Bigelow] is the center of gravity of the movie." The director Ang Lee, who did land a spot on the list for his 3-D adventure "Life of Pi," joining Steven Spielberg ("Lincoln") and David O. Russell ("Silver Linings Playbook"), said, "It's shocking. Normally there's a pattern. There's no pattern this year."


Even Michael Barker, the co-president of Sony Pictures Classics, which released "Amour," called it "incomprehensible" that Bigelow wasn't nominated. Bigelow and Affleck had earned nominations in nearly every other major awards group.


Many voters, pundits and Oscar nominees offered up possible explanations for what Oscar watchers regard as one of the more surprising upsets in recent years. Theories included controversy over the accuracy of "Zero Dark's" torture scenes to voters turning to other movies because they thought Affleck and Bigelow were locks, much in the way a political candidate ahead in the polls will generate a low voter turnout.


Some felt that Affleck and Bigelow, whose movies, about the Iran hostage drama of 1979 and the manhunt for Osama bin Laden, were both based on shattering moments in recent history, split the vote; others thought the list reflected a desire for fresh voices. The politics of Hollywood and the peculiarities of awards voting also came in for consideration.


The slight to Bigelow was especially noteworthy because she is the only woman to have won a directing Oscar, for "The Hurt Locker." She may have been damaged by a controversy in which lawmakers, including Sen. Dianne Feinstein (D-Calif.), said the film erroneously suggested torture helped lead to the capture of Bin Laden.


The academy's nominees deviated sharply from the selections of the Directors Guild of America, announced earlier in the week. The DGA is usually a strong indicator of Oscars but only overlapped on two of the five choices (Spielberg and Lee).


LIST: Complete list of Oscar nominees


In past years, academy members often took their cues from the DGA, but this year Oscar voting closed several weeks earlier, before the DGA announced its selections.


It was also hard to avoid the quirks of academy voting. Although the Oscars are considered an overarching seal of quality, the nominations for all but best picture are decided by a small group, known as a branch.


So even though the Directors Guild of America is composed of nearly 15,000 members, the academy's director branch is far smaller, made up of about 360 people. Voters list their five choices in what is known as a preferential balloting system, with every member being credited with only one vote.


According to Steve Pond, an Oscar pundit with the industry website the Wrap, a director needs just 62 votes to land a nomination — a startlingly small total that can lead to surprising choices.


The median age of the director's branch, according to a study conducted last year by The Times, is 64, making it the second-oldest branch in the academy. That possibly helped "Amour" make the cut because the film deals with aging.


But there were cultural factors at work too.


One Oscar voter, the writer-director Keith Gordon, said in an interview that he put Zeitlin on the top of his ballot because of what he saw as "a trend toward smaller, more offbeat films." Also omitted from the list was Tom Hooper, the winner for "The King's Speech" two years ago, who helmed 2012's splashy "Les Miserables."


OSCARS 2013: Complete list | Snubs & surprises | Ballot | Oscar Watch | Timeline


Joe Cavalier, a TV veteran and member of the branch, said that he was "so tired of the same people getting nominated." He added, "I think people should go for dark horses, and other people that I talk to in the academy feel the same way."





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Skype founder browses globe for next tech earner






LONDON (Reuters) – Niklas Zennstrom, co-founder of internet phone service Skype, believes the next hot tech business will just as likely spring from Istanbul or Sao Paolo as from Silicon Valley or the coolest districts of London.


And he is prepared to fly around the world to find it.






“Talent can pop up anywhere in the world, it’s not just one city block,” the Swedish entrepreneur and venture capitalist said at the headquarters of his Atomico fund, based on upmarket New Bond Street in central London.


Zennstrom, who retains faint traces of a Swedish accent despite his years of globetrotting, is looking for start-ups ready to shift up a gear into new markets and has the experience, gained from growing Skype into a service used by millions around the world, to help them.


Skype was sold to eBay Inc in 2005 for roughly $ 3 billion, before being bought back by a consortium including Zennstrom in 2009 and then two years later sold on to Microsoft Corp for $ 8.5 billion, leaving him a multi-millionaire.


“If you have a product that works it’s important to scale (up) the business as quickly as possible,” said Zennstrom, named by Time Magazine in 2006 as one of its 100 most influential people. “As entrepreneurs, usually you may not have that experience; how does Asia work? Europe? Latin America?”


Atomico, founded by Zennstrom in 2006, has invested in companies in northern Europe including Finland-based Rovio, developer of Angry Birds, and Hailo, a London-based startup that has developed an app that connects passengers with taxi drivers and has raised $ 20 million so far.


It also led a $ 105 million funding round for U.S. online retailer Fab in July.


FUTURE PORTFOLIO


The investment fund, whose London office reception is decked out with simple designer furniture and modern art pieces, has opened offices in Turkey and Brazil, emerging markets with growing middle classes eager to shop online and buy internet services.


Zennstrom wants to make these markets a large part of Atomico’s portfolio in future.


The firm in 2011 backed Brazilian online retailers such as car parts supplier Connect Parts and announced a $ 16 million investment in a Russian online travel agency in October.


Atomico is not necessarily looking for the latest gizmo or internet trend, but savvy businesses with talented leaders who can take advantage of growth in nascent sectors such as e-commerce.


And Zennstrom, softly spoken and wearing an open-necked shirt and dark jacket, believes emerging market growth is fuelling a new breed of optimism and ambition.


“It’s a much more of an entrepreneurial spirit (in Turkey and Brazil) compared to southern European where it’s a depressed mindset,” he said.


Zennstrom earned his stripes in the tech world after helping launch file-sharing service Kazaa more than a decade ago, which failed as a business but paved the way for Skype.


He said getting investment today was far easier than when he was starting Skype. It took him a year to secure funding, whereas today the most talented entrepreneurs with the best ideas could take their pick of investors.


There is also increasing recognition that entrepreneurs might want to realize some of the value of their creations, something he said was lacking when Skype became successful.


“There was really no IPO market and it was not really accepted for founders to sell some of their shares to get some money off the table,” he said, adding that before Skype was sold to eBay, he could not even secure a mortgage on an apartment.


“I think we made the right decision for the time in terms of selling (Skype),” he said. “Today as an entrepreneur you have more options.”


(Editing by David Holmes)


Internet News Headlines – Yahoo! News





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Biden seeks video game industry input on guns


WASHINGTON (AP) — Looking for broader remedies to gun violence, Vice President Joe Biden is reaching out to the video game industry for ideas as the White House seeks to assemble proposals in response to last month's massacre at a Connecticut elementary school.


Biden is scheduled to meet with video game representatives Friday as the White House explores cultural factors that may contribute to violent behavior.


The vice president, who is leading a task force that will present recommendations to President Barack Obama on Tuesday, met with other representatives from the entertainment industry, including Comcast Corp. and the Motion Picture Association of America, on Thursday.


Friday's meeting comes a day after the National Rifle Association rejected Obama administration proposals to limit high-capacity ammunition magazines and dug in on its opposition to an assault weapons ban, which Obama has previously said he will propose to Congress. The NRA was one of the pro-gun rights groups that met with Biden during the day.


NRA president David Keene, asked Friday if the NRA has enough support in Congress to fend off legislation to ban sales of assault weapons, indicated it does. "I do not think that there's going to be a ban on so-called assault weapons passed by the Congress," he said on NBC's "Today."


In previewing the meeting with the video game industry, Biden recalled how the late Sen. Daniel Patrick Moynihan of New York lamented during crime bill negotiations in the 1980s that the country was "defining deviancy down."


It's unclear what, if anything, the administration is prepared to recommend on how to address the depiction of violence in the media.


White House press secretary Jay Carney last month suggested that not all measures require government intervention.


"It is certainly the case that we in Washington have the potential, anyway, to help elevate issues that are of concern, elevate issues that contribute to the scourge of gun violence in this country, and that has been the case in the past, and it certainly could be in the future," Carney said then.


In a statement, a half dozen entertainment groups, including the Motion Picture Association of America, said they "look forward to doing our part to seek meaningful solutions."


On gun control, however, the Obama administration is assembling proposals to curb gun violence that would include a ban on sales of assault weapons, limits on high-capacity ammunition magazines and universal background checks for gun buyers.


"The vice president made it clear, made it explicitly clear, that the president had already made up his mind on those issues," Keene said after the meeting. "We made it clear that we disagree with them."


Opposition from the well-funded and politically powerful NRA underscores the challenges that await the White House if it seeks congressional approval for limiting guns and ammunition. Obama can use his executive powers to act alone on some gun measures, but his options on the proposals opposed by the NRA are limited without Congress' cooperation.


Obama has pushed reducing gun violence to the top of his domestic agenda following last month's mass shooting at an elementary school in Newtown, Conn., where a gunman slaughtered 20 children and six adults before killing himself. The president put Biden in charge of an administration task force and set a late January deadline for proposals.


"I committed to him I'd have these recommendations to him by Tuesday," Biden said Thursday, during a separate White House meeting with sportsmen and wildlife groups. "It doesn't mean it's the end of the discussion, but the public wants us to act."


The vice president later met privately with the NRA and other gun-owner groups for more than 90 minutes. Participants in the meeting described it as an open and frank discussion, but one that yielded little movement from either side on long-held positions.


Keene told NBC there is a fundamental disagreement over what would actually make a difference in curbing gun violence.


Richard Feldman, the president of the Independent Firearm Owners Association, said all were in agreement on a need to keep guns out of the hands of criminals and the mentally ill. But when the conversation turned to broad restrictions on high-capacity magazines and assault weapons, Feldman said Biden suggested the president had already made up his mind to seek a ban.


"Is there wiggle room and give?" Feldman said. "I don't know."


White House officials said the vice president didn't expect to win over the NRA and other gun groups on those key issues. But the administration was hoping to soften their opposition in order to rally support from pro-gun lawmakers on Capitol Hill.


Biden's proposals are also expected to include recommendations to address mental health care and violence on television, in movies and video games. Those issues have wide support from gun-rights groups and pro-gun lawmakers.


As the meetings took place in Washington, a student was shot and wounded at a rural California high school and another student was taken into custody.


During his meeting with sporting and wildlife groups, Biden said that while no recommendations would eliminate all future shootings, "there has got to be some common ground, to not solve every problem but diminish the probability that our children are at risk in their schools and diminish the probability that firearms will be used in violent behavior in our society."


Several Cabinet members have also taken on an active role in Biden's gun violence task force, including Attorney General Eric Holder. He met Thursday with Wal-Mart, the nation's largest firearms seller, along with other retailers such as Bass Pro Shops and Dick's Sporting Goods.


The president hopes to announce his administration's next steps to tackle gun violence shortly after he is sworn in for a second term. He has pledged to push for new measures in his State of the Union address.


___


Follow Julie Pace at http://twitter.com/jpaceDC


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The New Old Age Blog: Taking a Zen Approach to Caregiving

You try to help your elderly father. Irritated and defensive, he snaps at you instead of going along with your suggestion. And you think “this is so unfair” and feel a rising tide of anger.

How to handle situations like this, which arise often and create so much angst for caregivers?

Jennifer Block finds the answer in what she calls “contemplative caregiving” — the application of Buddhist principles to caregiving and the subject of a year-long course that starts at the San Francisco Zen Center in a few weeks.

This approach aims to cultivate compassion, both for older people and the people they depend on, said Ms. Block, 49, a Buddhist chaplain and the course’s lead instructor. She’s also the former director of education at the Zen Hospice project in San Francisco and founder of the Beyond Measure School for Contemplative Care, which is helping develop a new, Zen-inspired senior living community in the area.

I caught up with Ms. Block recently, and what follows is an edited transcript of our conversation.

Let’s start with your experience. Have you been a caregiver?

My experience in caregiving is as a professional providing spiritual care to individuals and families when they are facing and coping with aging and sickness and loss and dying, particularly in hospital and hospice settings.

What kinds of challenges have you witnessed?

People are for the most part unprepared for caregiving. They’re either untrained or unable to trust their own instincts. They lack confidence as well as knowledge. By confidence, I mean understanding and accepting that we don’t know all the answers – what to do, how to fix things.

This past weekend, I was on the phone with a woman who’d brought her mom to live near her in assisted living. The mom had been to the hospital the day before. My conversation with the daughter was about helping her see the truth that her mother needed more care and that was going to change the daughter’s responsibilities and her life. And also, her mother was frail, elderly, and coming nearer to death.

That’s hard, isn’t it?

Yes, because we live in a death-denying society. Also, we live in a fast-paced, demanding world that says don’t sit still — do something. But people receiving care often need most of all for us to spend time with them. When we do that, their mortality and our grief and our helplessness becomes closer to us and more apparent.

How can contemplative caregiving help?

We teach people to cultivate a relationship with aging, sickness and dying. To turn toward it rather than turning away, and to pay close attention. Most people don’t want to do this.

A person needs training to face what is difficult in oneself and in others. There are spiritual muscles we need to develop, just like we develop physical muscles in a gym. Also, the mind needs to be trained to be responsive instead of reactive.

What does that mean?

Here’s an example. Let’s say you’re trying to help your mother, and she says something off-putting to you like “you’ve always been terrible at keeping house. It’s no wonder you lost my pajamas.”

The first thing is to notice your experience. To become aware of that feeling, almost like being slapped emotionally. To notice your chest tightening.

Then I tell people to take a deep breath. And say something to themselves like “soften” to address that tightness. That’s how you can stay facing something uncomfortable rather than turning away.

If I were in this position, I might say something to myself like “hello unhappiness” or “hello suffering” or “hello aging” to tether myself.

The second step would be curiosity about that experience. Like, wow, where do I feel that anger that rose up in me, or that fear? Oh, it’s in my chest. I’m going to feel that, stay with it, investigate it.

Why is that important?

Because as we investigate something we come to understand it. And, paradoxically, when we pay attention to pain it changes. It softens. It moves. It lessens. It deepens. And we get to know it and learn not to be afraid of it or change it or fix it but just come alongside of it.

Over hours, days, months, years, the mind and heart come to know pain. And the response to pain is compassion — the wish for the alleviation of pain.

Let’s go back to what mother said about your housekeeping and the pajamas. Maybe you leave the room for five minutes so you can pay attention to your reaction and remember your training. Then, you can go back in and have a response rather than a reaction. Maybe something like “Mom, I think you’re right. I may not be the world’s best housekeeper. I’m sorry I lost your pajamas. It seems like you’re having a pretty strong response to that, and I’d like to know why it matters so much to you. What’s happening with you today?”

Are other skills important?

Another skill is to become aware of how much we receive as well as give in caregiving. Caregiving can be really gratifying. It’s an expression of our values and identity: the way we want the world to be. So, I try to teach people how this role benefits them. Such as learning what it’s like to be old. Or having a close, intimate relationship with an older parent for the first time in decades. It isn’t necessarily pleasant or easy. But the alternative is missing someone’s final chapter, and that can be a real loss.

What will you do in your course?

We’ll teach the principles of contemplative care and discuss them. We’ll have homework, such as ‘Bring me three examples of someone you were caring for who was caring toward you in return.’ That’s one way of practicing attention. And people will train in meditation.

We’ll also explore our own relationship to aging, sickness, dying and loss. We’ll tell our stories: this is the situation I was in, this is where I felt myself shut down, this was the edge of my comfort or knowledge. And we’ll teach principles from Buddhism. Equanimity. Compassion. Deep inner connectedness.

What can people do on their own?

Mindfulness training is offered in almost every city. That’s one of the core components of this approach.

I think every caregiver needs to have their own caregiver — a therapist or a colleague or a friend, someone who is there for them and with whom they can unburden themselves. I think of caregiving as drawing water from a well. We need to make sure that we have whatever nurtures us, whatever supplies that well. And often, that’s connecting with others.

Are other groups doing this kind of work?

In New York City, the New York Zen Center for Contemplative Care educates the public and professionals about contemplative care. And in New Mexico, the Upaya Zen Center does similar work, much of it centered around death and dying.

People who want to read about this might want to look at a new book of essays, “The Arts of Contemplative Care: Pioneering Voices in Buddhist Chaplaincy and Pastoral Work” (Wisdom Publications, 2012).

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Cinemax series 'Banshee' aims to hold on to viewers beyond TV









SAN FRANCISCO — As the opening credits of the new Cinemax series "Banshee" begin, the dial of an old steel safe spins, tumblers locking to reveal a combination that viewers can use to crack open "the vault" on the show's website.


This is where each week the creators of "Banshee" will spill the dark secrets hidden in haunting photographs that appear on the distressed surface of a wooden bar in the show's title sequence.


"Fast forward at your own peril," the show's executive producer and showrunner, Greg Yaitanes, said of TV viewers who might be tempted to skip the opening credits.





With the help of a Silicon Valley start-up, Yaitanes is trying something that has rarely — if ever — been attempted in TV: He is using the title sequence to push the borders of the fictional world of "Banshee" beyond the TV screen and onto desktops, smartphones and tablets.


"Television shows like 'Banshee' are designing worlds so rich, it takes multiple screens and viewing environments for the worlds to be fully realized," said Steve Anderson, associate professor of cinematic arts at USC. "But this is the first time I've seen that kind of content being delivered in a TV title sequence."


Television shows want to do everything they possibly can to hold on to TV viewers, especially younger adults who are increasingly multitasking on tablets and phones while watching TV. Eighty-five percent of tablet and smartphone owners use their devices while watching TV at least once a month, with nearly 40% of them doing it daily, according to Nielsen. And, nearly half of 18- to 24-year-olds use their smartphones while watching TV at least once a day.


"Any kind of visual entertainment aimed at that generation can only be a good thing," said Jeffrey Okun, chairman of the Visual Effects Society.


"Banshee," the new series from Alan Ball, executive producer of HBO's "True Blood," debuts Friday on Cinemax, a premium pay channel and sister network to HBO that is owned by media giant Time Warner Inc. It tells the story of Lucas Hood, a master thief who gets out of prison and tracks the woman he loves to a small town in Pennsylvania Amish country. Hunted by the gangsters he conned, Hood, played by Antony Starr, steals the identity and badge of the new sheriff of Banshee, where no one is who they seem.


With just 12 million American households subscribing to Cinemax, "Banshee" needed a digital edge to build a following. It got that edge from Tin Punch Media. The new Silicon Valley company started by Yaitanes' brother Jason and Twitter co-founder Biz Stone created the opening titles.


"We wanted the title sequence to extend the universe of the show onto the Web and beyond," Stone said. "Every week there is something new: a clue, a twist or some kind of complexity."


Opening credits used to be an afterthought in television. TV title design reached its zenith in the 1960s then mostly languished for decades. Financial constraints kept TV titles "horrifically static," Okun said.


Television has made a dramatic comeback over the last decade — and with that comeback have been higher budgets, giving producers a new way in the first few seconds to hook their trigger-happy audience with their fingers just inches from the remote.


Now a new generation of digitally savvy showrunners such as Yaitanes is using the opening titles to try to hold viewers' attention long after the final credits roll.


When he directed Fox's "House," Yaitanes had just a five-second title sequence. With "Banshee" he had 75 seconds. Yaitanes said he was determined not to waste a single one of them.


"For me it opened up the question: Why hasn't anyone really used that real estate to tell a story?" Yaitanes said. "That's more than a minute of storytelling that could be used to enrich the viewers' experience."


Yaitanes already planned to tell the story of "Banshee" across multiple media channels –- a graphic novel, a Twitter feed @BansheeDeva and the "Banshee" website, which will feature 13 prequel videos — more than 30 minutes of unseen material — that shed light on the back stories of key characters.


But he also had ambitious plans for the opening titles. He wanted a different sequence for each of the 10 episodes to keep viewers glued to their screens, and he wanted to give the show's fans a digital "rabbit hole" that they could tumble down and explore.


He challenged Tin Punch Media, a three-person shop in San Francisco and Boston, and other title houses to come up with a groundbreaking concept.


After reading the script, Yaitanes, Tin Punch Media's creative director, said he seized on the power of still photographs: the final image of Jack Nicholson in Stanley Kubrick's "The Shining" or the series of black-and-white stills of Jake's boxing matches in Martin Scorsese's "Raging Bull."


In one of the photographs in the "Banshee" pilot's title sequence, Sugar Bates, an aging bar owner down on his luck — played by Frankie Faison — is captured in his youth when he was a boxing champion. It conveys Bates' deep longing to climb back into the ring of life, something he thinks may be possible now that Hood has come to Banshee, Yaitanes said.


"There's something magical about a still photograph, and I pictured this as an album of this town on a table, and someone is sifting through the photographs for clues about who these people are," Yaitanes said.


The images that flash quickly on the screen are jarring. They are all "Banshee-ized," shot in such a way that they obscure far more than they reveal, giving the whole sequence an unsettling, almost sinister look and feel that sets the tone for the show, Yaitanes said.


Stone, a founding advisor to Tin Punch Media, came up with the idea of using cinemagraphs, still photographs that move in a fleeting way to capture a vivid moment in time. At the end of the opening credits, viewers see a close-up of a raven-haired woman, a shard of memory from Hood's happier times with Ana, the woman he has come to Banshee to find. In an unexpected flutter of movement, Ana, played by Ivana Milicevic, blinks.


Dunstan Orchard, Tin Punch Media's director of new media, brainstormed the idea of an online safe where viewers could unlock the dark secrets the cagey characters in Banshee have tried to bury. Using interactive video technology, the vault will eventually contain all 10 title sequences and commentary from the show's creators.


"It took a Silicon Valley start-up that did not know anything about titles to understand what we were after," Yaitanes said. "As far as someone is willing to go with 'Banshee,' there will be something there for them."


jessica.guynn@latimes.com





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Irvine City Council overhauls oversight, spending on Great Park









Capping a raucous eight-hour-plus meeting, the Irvine City Council early Wednesday voted to overhaul the oversight and spending on the beleaguered Orange County Great Park while authorizing an audit of the more than $220 million that so far has been spent on the ambitious project.


A newly elected City Council majority voted 3 to 2 to terminate contracts with two firms that had been paid a combined $1.1 million a year for consulting, lobbying, marketing and public relations. One of those firms — Forde & Mollrich public relations — has been paid $12.4 million since county voters approved the Great Park plan in 2002.


"We need to stop talking about building a Great Park and actually start building a Great Park," council member Jeff Lalloway said.





The council, by the same split vote, also changed the composition of the Great Park's board of directors, shedding four non-elected members and handing control to Irvine's five council members.


The actions mark a significant turning point in the decade-long effort to turn the former El Toro Marine base into a 1,447-acre municipal park with man-made canyons, rivers, forests and gardens that planners hoped would rival New York's Central Park.


The city hoped to finish and maintain the park for years to come with $1.4 billion in state redevelopment funds. But that money vanished last year as part of the cutbacks to deal with California's massive budget deficit.


"We've gone through $220 million, but where has it gone?" council member Christina Shea said of the project's initial funding from developers in exchange for the right to build around the site. "The fact of the matter is the money is almost gone. It can't be business as usual."


The council majority said the changes will bring accountability and efficiencies to a project that critics say has been larded with wasteful spending and no-bid contracts. For all that has been spent, only about 200 acres of the park has been developed and half of that is leased to farmers.


But council members Larry Agran and Beth Krom, who have steered the course of the project since its inception, voted against reconfiguring the Great Park's board of directors and canceling the contracts with the two firms.


Krom has called the move a "witch hunt" against her and Agran. Feuding between liberal and conservative factions on the council has long shaped Irvine politics.


"This is a power play," she said. "There's a new sheriff in town."


The council meeting stretched long into the night, with the final vote coming Wednesday at 1:34 a.m. Tensions were high in the packed chambers with cheering, clapping and heckling coming from the crowd.


At one point council member Lalloway lamented that he "couldn't hear himself think."


During public comments, newly elected Orange County Supervisor Todd Spitzer chastised the council for "fighting like schoolchildren." Earlier this week he said that if the Irvine's new council majority can't make progress on the Great Park, he would seek a ballot initiative to have the county take over.


And Spitzer angrily told Agran that his stewardship of the project had been a failure.


"You know what?" he said. "It's their vision now. You're in the minority."


mike.anton@latimes.com


rhea.mahbubani@latimes.com





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